楊子雲現代書衍第三部曲的紅配綠系列作品 - 春神（待定)，展現了他對色彩與藝術形式的深刻思考。這一作品的誕生源於他對傳統書法的解構並將黑白 線條的表現轉化為鮮豔的色彩語言。紅色的熱情和綠色的對比，形成了一種強烈的視覺衝擊，象徵著藝術家的內心世界和情感狀態。 在這件作品中，楊子雲巧妙地運用了線條的自由表現，讓每一筆觸都充滿活力，仿佛在大舞台上進行獨舞。紅色的運用不僅僅是色彩的堆疊，而是對情感的具象化，綠色則為這種情感注入了一種生機與對比。透過這樣的色彩搭配 ，觀者能夠感受到藝術家強烈的個性與創作意圖，體現了他對傳統與現代、內斂與外放之間的辯證關係。 紅配綠系列不僅是色彩的碰撞，更是楊子雲對自身藝術探索的深刻表達，展現了他在現代書藝領域中的獨特視角和創新精神。

The "Red and Green Series" from Yang Tze-Yun's third movement of modern calligraphy, titled "Spring Deity" (to be confirmed), showcases his profound contemplation of color and artistic form. The creation of this work stems from his deconstruction of traditional calligraphy, transforming the expression of black and white lines into a vibrant language of color. The passion of red and the contrast of green create a strong visual impact, symbolizing the artist's inner world and emotional state.

In this piece, Yang skillfully employs the free expression of lines, making each stroke vibrant, as if performing a solo dance on a grand stage. The use of red is not merely an accumulation of color but a visualization of emotion, while green infuses this emotion with vitality and contrast. Through this color pairing, viewers can sense the artist's strong personality and creative intent, reflecting his dialectical relationship between tradition and modernity, as well as introversion and extroversion.

The Red and Green Series is not only a clash of colors but also a profound expression of Yang Tze-Yun's artistic exploration, showcasing his unique perspective and innovative spirit in the field of modern calligraphy.